Wednesday, 22 December 2010
I am awake at 6.00 and listening to the news. I don't have to get up yet, I can stay cosy for a while. Then I hear the newsreader say that today's total Lunar Eclipse of the Full Moon at 7.40 am will be the first one to occur at the Winter Solstice for about 400 years. I have to get up . . .now. How did I not know about this? It wasn't on the news yesterday or if it was I missed it. I don't have my camera so I will paint draw, I have been watching the moon with regard to this residency at Helmsdale for almost 18 months now and I need to use colour because the more I watch the more colours I see. The colours flicker and change almost constantly - I know this is in response to the tiny movements that the eye makes and identifying the shifts is fascinating. So- not having the camera is good. It means the image in my memory will not be static. By the time I'm sorted at 6.30 and looking out of the upstairs window to the North-West the eclipse has started - a faint blurring at the left hand side of this huge full moon which has been so bright for the last few days. It's brilliance reflected back by the thick blanket of white snow and ice all around. I listen to the radio while I watch and hear Dr David Whitehouse talk about the moon - the solstice will be 15 hours after the eclipse he says and adds that when the Earth's shadow passes across the moon's face then some people will see it as red. This is because only light waves can bend around the earth reach the moon and they are primarily red. The moon reaches the horizon of the hill behind me so I do not see the Earth's red shadow moving away again. I go downstairs and I make my porridge - happy that I did not miss this moon.
Thursday, 16 December 2010
Tuesday, 16 November 2010
Review of Field Studies exhibition written by Giles Sutherland - art critic for The Times - is available now on the Northings site. 'Part of Roberts success therefore must centre on her ability to encourage those who have deemed themselves ‘uncreative’ or ‘not artists’ to create work with depth, meaning and integrity.'
Wednesday, 3 November 2010
Wednesday, 27 October 2010
baffie.co.uk sells unique gifts for domestic bliss.
Also included is the lovely wee coffee table book published by Timespan, which describes what it would have been like to live in a croft house near Helmsdale in the 1800s as well as a bit about my artworks made for 'Close-Knit' and the people I worked with on the project. To find out more please click here.
I'm so excited by my new venture, hope it tickles you too!
Thursday, 21 October 2010
Wednesday, 13 October 2010
Monday, 11 October 2010
Thursday, 7 October 2010
Wednesday, 29 September 2010
Exciting times! My Field Trip box is the inspiration for a major part of the Field Studies project. The idea is that participants have their own Field Trip box, to fill how they like. These will then be shown in the exhibition, displaying a creative geology of Northern Scotland. Members of the Timespan organisation - the Board, Committee members, staff and volunteers - and various communities that we have been working with, are seen collecting their boxes.
Friday, 24 September 2010
Monday, 20 September 2010
Saturday, 18 September 2010
Thursday, 16 September 2010
Tuesday, 14 September 2010
Saturday, 11 September 2010
Friday, 3 September 2010
Please read the whole revue here.
Here is a wee image of all of the works in my exhibition Close-Knit. It runs until October 10th so please go and see the works in the flesh if you can.
If you'd like to know more about each piece, please click on the link below the image for more photos and information.
The Old Chanty
The knitted bedpan is designed in the style of one that would have been used by an old or sick man who had taken to his bed. A little worse for wear and bearing the scars of its life, not functioning quite as well as it once would have, but still loved and cared for.
One Perfectly Good Bucket
I found this bucket in one of the croft ruins in Wester Helmsdale. It had no bottom on it and a big hole in the side. The crofters were (and still are) extremely resourceful and frugal, and would mend what they could before replacing it. This bucket would have been a vital piece of equipment, so I mended it by weaving it a new bottom and wrapping the hole at the side with string. It's now a perfectly good bucket again...for everything except liquid!...and is valued once more, transformed from the rejected to the treasured.
If you'd like to see what this bucket looked like when I found it and how the work was created, please read this earlier blog.
For Your Own Good
I made this work with the help of some children from the local primary children and the knitting group, who meet weekly in Timespan.
The knitted installation is inspired by Badbea, a deserted clearance village 6 miles up the road from Helmsdale. Though Badbea is a dramatically stunning spot, it is windswept, rocky and desperately near an extremely high cliff edge. It is said that the families were so nervous their children would accidentally fall of the cliff, they tethered them to posts and rocks while they were out playing.
For Your Own Good was created by myself and:
Emilee Mae Simpson
Ina D.S. Macpherson
Tuesday, 31 August 2010
Wednesday, 25 August 2010
Made collaboratively with Lorna Jappy
This spoof Estate Agent’s window display is accompanied by a document, which aims to sell the idea of living in a croft in Badbea, a deserted clearance village 6 miles up the road, whilst, at the same time, describing what it might have been like to live in one of the most challenging clearance sites during the 1800s.
The document will be included in a publication to complement this exhibition, available from 24th September 2010 from Timespan's shop or my online gift shop www.baffie.co.uk
Keep The Fires Burning
Made collaboratively with Christine Cowie
The two gable ends, pictured in the light-boxes, were both found in Wester Helmsdale and are brilliant examples of the skill and creativity of the crofters. Virtually nothing remains of these crofts except for these vitally important fireplaces. But with these, we can imagine a glimpse of what it would have been like to live in these homes. The hearth was the focus of indoor family life, around which the whole family would spend their evenings. The crofters would never have let the fire go out. For this work I installed warming flowers and smoky grasses, in order to recreate that focus point and create a ‘memorial’ for the heart of these homes. The space in which these works are housed is the same dimension as a croft (3/4 size).
Tuesday, 24 August 2010
The other highlight for me had to be the tug of war, with local lads heaving with all their might whilst still managing to hang on to a can of tennent's and smoke a fag!